A IS FOR ATTICUS
By LORILEE CRAKER

Center Street, 2008
ISBN: 9781599950204
216 pages; Paperback
GENRE(S): Nonfiction, Family Interests

Reviewed by Yennie Cheung

Baby name books aren't only for expecting parents. For writers, they are a surprisingly good tool for finding character names, usually providing valuable background information on the name, including proper pronunciation, definitions, and origins. Lately, though, baby naming has turned into something of a sport, with celebrities paving the way for the unique, the unusual, and the downright frightening.

Perhaps hoping to deter people from taking the same "creative" path as Jason Lee and Gwyneth Paltrow, author Lorilee Craker's A Is for Attitcus suggests that would-be parents look to their bookshelves for inspiration, lifting names not only from book characters but also from the authors themselves. It's not an original idea by any means, but it's a good one nonetheless. The problem with the book, however, lies in the execution.

Given the short length of A Is for Attitcus, Craker's book is obviously not thorough, and she leaves out a great number of worthy suggestions and literary references (see the HBC article on literary names for some of our own suggestions). This is fairly understandable, but given that the book is about literary names, there is surprisingly little focus on literature. Instead, Craker is annoyingly obsessed with celebrity, detailing the literary connections to certain celebrities' baby names: Bruce Willis and Demi Moore named one daughter Scout, while Heath Ledger was named after Heathcliff from Wuthering Heights. She also fawns over "turbo baby namer" Angelina Jolie as often as humanly possible.

The celebrity focus often causes Craker to begin (not merely stray) off topic. For the name Kingsley, Craker spends the majority of the paragraph discussing the name's similarity to Kingston Rossdale, the son of musicians Gavin Rossdale and Gwen Stefani. The name Kingsley itself seems unimportant, as Craker flippantly tacks a literary association (author Sir Kingsley William Amis) onto the paragraph's end. Apparently, Kingsley Shacklebolt, a key member of Harry Potter's Order of the Phoenix, is less important than the son of two rock stars who were influenced by a city in Jamaica.

Certain names such as James and Sarah are also so common that the literary connections seem more coincidental than special, while other names are just a bad idea. Regardless of what country singer Brad Paisley names his kid, Huckleberry is a name that only works for Mark Twain characters, blue anthropomorphic dogs, and anyone wanting to be nicknamed Dingleberry for the rest of his life. And while the name Ethan is just fine, Craker's suggestion that one might want to name a child after a sad, desperate character such as Ethan Frome shows a lack of research.

To her credit, though, Craker does suggest a few lovely, unusual names such as Auden for a girl (after poet W.H. Auden) and Lucan for a boy (after the Arthurian knight). For writers, she even offers some good antagonistic names (Tarquin is the bad guy in The Rape of Lucrece). And she does recognize and support the resurging popularity of seemingly old fashioned (or "vintage") names such as Phineas and Dorothy—a rather nice trend that offers the world respite from yet another Michael, Madison, or Caitlin. But overall, the gems are too few and far between.

While A is for Atticus has an intriguing premise, Craker doesn't have her heart in the subject matter. Literature is little more than an afterthought in this book, and there is little indication that Craker is a true lover of books. Considering that she is a freelance entertainment journalist who coauthored a book with Lynn Spears (mother of Britney and Jamie Lynn), it's hard to take her literary suggestions seriously anyway; she simply doesn't have enough authority. Had she written a book about celebrity baby naming, perhaps readers could trust her to deliver the goods, but that book wouldn't be reviewed here.

(September, 2008)

 

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